In this blog, I am researching the top twenty crime films based on ratings made by the general public, on the movie website www.imdb.com. The list is shown below –
01.) ‘The Shawshank Redemption’
02.) ‘The Godfather’
02.) ‘The Godfather’
03.) ‘The Godfather: Part Two’
04.) ‘Pulp Fiction’
05.) ‘Twelve Angry Men’
06.) ‘The Dark Knight'
07.) ‘Goodfellas’
08.) ‘Rear Window’
09.) ‘Cidade de Deus’ (‘City of God’)
10.) ‘Fight Club’
11.) 'The Usual Suspects'
12.) 'The Silence of the Lambs'
13.) 'Se7en'
14.) 'Leon'
15.) 'American History X'
16.) 'Paths of Glory'
17.) 'Vertigo'
18.) 'Double Indemnity'
19.) 'M'
20.) 'El Secreto de sus Ojos' ('The Secret of her Eyes')
I believe many different factors help make movies successful. This can include having a well established director or actor in the film (example, John Travolta and Quentin Tarantino for ‘Pulp Fiction’, or Marlon Brando and Francis Ford Coppola for 'The Godfather'). Other examples could be by using diverse and hard hitting story lines (involving rape, gang violence, organized crime, drug use, murder, kidnapping and theft), hype created by the media and general public, and using a wide range of advertisement and publicity (posters, trailers, websites and interviews with the cast), among other techniques.
Here are three examples of posters for different crime movies.
In all three posters, colours are kept quite simplistic, focusing on black, white and red. I believe black and white are used to reflect on organization; usually suits being black, and shirts being white. This gives a sense that these films may belong to the gangster genre. Red may also have been used to convey an image of brutality, due to blood being red.
04.) ‘Pulp Fiction’
05.) ‘Twelve Angry Men’
06.) ‘The Dark Knight'
07.) ‘Goodfellas’
08.) ‘Rear Window’
09.) ‘Cidade de Deus’ (‘City of God’)
10.) ‘Fight Club’
11.) 'The Usual Suspects'
12.) 'The Silence of the Lambs'
13.) 'Se7en'
14.) 'Leon'
15.) 'American History X'
16.) 'Paths of Glory'
17.) 'Vertigo'
18.) 'Double Indemnity'
19.) 'M'
20.) 'El Secreto de sus Ojos' ('The Secret of her Eyes')
I believe many different factors help make movies successful. This can include having a well established director or actor in the film (example, John Travolta and Quentin Tarantino for ‘Pulp Fiction’, or Marlon Brando and Francis Ford Coppola for 'The Godfather'). Other examples could be by using diverse and hard hitting story lines (involving rape, gang violence, organized crime, drug use, murder, kidnapping and theft), hype created by the media and general public, and using a wide range of advertisement and publicity (posters, trailers, websites and interviews with the cast), among other techniques.
Here are three examples of posters for different crime movies.
In all three posters, colours are kept quite simplistic, focusing on black, white and red. I believe black and white are used to reflect on organization; usually suits being black, and shirts being white. This gives a sense that these films may belong to the gangster genre. Red may also have been used to convey an image of brutality, due to blood being red.
I believe that in the ‘The Godfather’ poster, the cat is used to represent an image that although the character holding he or she may look quite sinister, due to the shadowing of their face, they still have human characteristics and people close to them. I also believe that the puppet strings are used on the title of the poster, to show organization and control over other characters within the film. The fact that the focus has been put onto a much older character may show that he is more experienced, and is in control of the younger characters.
In the ‘Pulp Fiction’ poster, the female character looks as though she may be a femme fatale within the storyline, proven by the fact that she is in possession of a deadly weapon, and looks as though she has power, yet is still ‘cool’ and ‘casual’ about the situation. The fact that she is directly staring at the camera is also very seductive, looking almost fearless and beckoning. Her slinky clothing could also be used as a sexual, seductive trap, and smoking is also seen as being the essence of 'cool' and 'rebellious'.
In the ‘Goodfellas’ poster, what appears to be a dead body is present at the lower part of the poster, and at the higher section is three suited men. This could convey an image of superiority, and maybe even threatening and criminal behaviour, as the man laying down on the bottom of the poster is not only below them, but looks as though he has been murdered, or fears them greatly. The fact that city scenery is present on the poster also shows the convention of the typical gangster film; urban city setting, money present, and a busy lifestyle.
The tag lines to these movie posters also portray an image of lead and control; ‘The Godfather’ one being “I’m going to make him an offer he can’t refuse.”, the ‘Pulp Fiction’ one being “Girls like me don’t make invitations like this to just anyone.” and the ‘Goodfellas’ one being “As far back as I can remember, I’ve always wanted to be a gangster.”. Each one proves that these characters are important, either due to control of others, or by believing they are above all else in their invitations or that they are living the wanted lifestyle.
I believe that a good example of a movie which conforms to the crime genre is that of ‘Se7en’.
‘Se7en’ is a film which stars Morgan Freeman as the protagonist, Detective William. R. Somerset, along with his replacement Brad Pitt as Detective David Mills. The antagonist is Kevin Spacey, who plays sadistic murderer John Doe.
The murders are driven by Doe’s obsession with the seven deadly sins; each victim being guilty of breaking one the tempting sins. One man is murdered due to his extensive eating habits bought on by gluttony, another for his overly paid occupation as a defense attorney thought to be because of greed, the next by his abuse of minors, apparently sloth being responsible, followed by a prostitute guilty of lust, next, a young model at fault for her pride, and lastly Doe murders Mill’s wife and unborn child, showing that he too is capable of envy, yet Mills then shoots Doe, there by killing him and also being blameworthy of wrath. Despite the movie being nearly two hours in length, the only actual murder we see is that at the end, where Mills shoots Doe, despite being begged not to do so by Somerset, and regardless of Doe being the actual killer of the movie, and not Mills.
Many different factors are made present in this film in order to allow us as an audience to feel uneasy, and to also let us understand the genre of the film further. These factors can include the clothing chosen, where by the detectives and police officers wear trench coats and suits, showing that they take pride in their appearance and to also give us a sense of their organization. It should also be mentioned that in many film noir movies (which were usually based on crime and melodrama) characters were commonly seen in trench coats and trilby hats; a trilby hat also worn by Somerset, letting us be aware that, to a degree, he has been a detective for a long period of time. A male also forced to rape a woman with a knife device (at gun point) is seen wearing what appears to be a large blanket wrapped around him. This shows his vulnerability as a victim.
Music used in the film also gave me, as a spectator, a sense of uneasiness and tension. Industrial metal music was used in the beginning and end credits by Nine Inch Nails and David Bowie, respectively. This kind of music, I found to be, quite hard hitting and dark in its element, not to mention using faint lyrics in the background based around religion and personal, emotional pain. Other music used included the score, which tended to have low sounding and long lasting beats, adding to a sense of build up when climaxes occurred.
Props are also a vital part of mise en scene within the movie ‘Se7en’, which allows the viewers to understand the genre of the movie. Guns are proven to be necessary pieces of equipment when the violent killer Doe strikes in the apartment shoot out scene. The gun enforces us that blood may be shed, and that an attack is bound to occur. Other important props can include that of the dart board found in Somerset’s home, which he appears to be throwing a knife at continuously. As a member of the audience, I believe this scene was vital to allow others to recognize that although Somerset thinks before he speaks, he still holds tension within, and unlike making rude remarks and brutish outbursts like his colleague Mills, he chooses to release his anxiety by other means. I also believe the box in the desert outskirts of the city is an extremely sinister prop, due to the fact that we cannot see what is inside it, however, we can view Somerset’s disturbed reaction; as an audience, we want to know what is inside the box, but do we?
I believe that character attitudes are very important to the movie. It is over emphasized that Somerset is reserved and intelligent, whilst Mills is proven to be too headstrong and cocky. Mills’ wife is also pictured as neglected, and is subsequently murdered towards the end of the film; stereotyping that females are usually sidelined, and are often victims. The murderer is also seen to be a law upon him, believing he is superior to everybody else, however, is also liable to give into temptation; just like his victims. This is also important, as we are made to believe John Doe is fearless.
Pathetic fallacy is, in addition, a key part of mise en scene in the movie, with rain and dark clouds being the dominant forecast. This gives off a downbeat feeling and is important to the story. I believe that because the film uses rain as a symbol of negativity, it can be classed as a thriller rather than an action movie, which is more likely to use sunlight and criminal acts occurring during the daytime, examples being ‘Die Hard: with a Vengeance’ and ‘Con Air’. Lighting is also made very low key, which along with the detective’s trench coats and trilby hats, adds to the film noir feeling. The lighting techniques also help to give off an off-putting impression of the setting; being gloomy and depressing.
Many of the settings in ‘Se7en’ lack bright colours (usually either being white, grey or black) which also helps add to the pessimistic view of the location. The streets are busy and full, many of the apartments seen look un-kept and dismal like. Even Mill’s house is an uncomfortable environment due to the fact that he lives above a tube train-line. I also believe that because many scenes take place in the police station and questioning area, the location itself is filled with morally inept people and criminal activity.
I agree that the script of the movie and delivery of the lines were also thoroughly directed to the cast in order to add emphasis on certain feelings being put across. Mills’ constant swearing shows his uneducated side, to a degree, whereas Somerset’s quiet voice and well thought out analysis of each murder shows progression as the movie proceeds. I also believe the contrast in personalities is needed to build tension, not only in the storyline, but between characters. John Doe’s character is strong and fearless, proved when he gives himself in to the police; showing his willingness to hand himself in, but furthermore to shock at each stage of the film.
In the ‘Pulp Fiction’ poster, the female character looks as though she may be a femme fatale within the storyline, proven by the fact that she is in possession of a deadly weapon, and looks as though she has power, yet is still ‘cool’ and ‘casual’ about the situation. The fact that she is directly staring at the camera is also very seductive, looking almost fearless and beckoning. Her slinky clothing could also be used as a sexual, seductive trap, and smoking is also seen as being the essence of 'cool' and 'rebellious'.
In the ‘Goodfellas’ poster, what appears to be a dead body is present at the lower part of the poster, and at the higher section is three suited men. This could convey an image of superiority, and maybe even threatening and criminal behaviour, as the man laying down on the bottom of the poster is not only below them, but looks as though he has been murdered, or fears them greatly. The fact that city scenery is present on the poster also shows the convention of the typical gangster film; urban city setting, money present, and a busy lifestyle.
The tag lines to these movie posters also portray an image of lead and control; ‘The Godfather’ one being “I’m going to make him an offer he can’t refuse.”, the ‘Pulp Fiction’ one being “Girls like me don’t make invitations like this to just anyone.” and the ‘Goodfellas’ one being “As far back as I can remember, I’ve always wanted to be a gangster.”. Each one proves that these characters are important, either due to control of others, or by believing they are above all else in their invitations or that they are living the wanted lifestyle.
I believe that a good example of a movie which conforms to the crime genre is that of ‘Se7en’.
‘Se7en’ is a film which stars Morgan Freeman as the protagonist, Detective William. R. Somerset, along with his replacement Brad Pitt as Detective David Mills. The antagonist is Kevin Spacey, who plays sadistic murderer John Doe.
The murders are driven by Doe’s obsession with the seven deadly sins; each victim being guilty of breaking one the tempting sins. One man is murdered due to his extensive eating habits bought on by gluttony, another for his overly paid occupation as a defense attorney thought to be because of greed, the next by his abuse of minors, apparently sloth being responsible, followed by a prostitute guilty of lust, next, a young model at fault for her pride, and lastly Doe murders Mill’s wife and unborn child, showing that he too is capable of envy, yet Mills then shoots Doe, there by killing him and also being blameworthy of wrath. Despite the movie being nearly two hours in length, the only actual murder we see is that at the end, where Mills shoots Doe, despite being begged not to do so by Somerset, and regardless of Doe being the actual killer of the movie, and not Mills.
Many different factors are made present in this film in order to allow us as an audience to feel uneasy, and to also let us understand the genre of the film further. These factors can include the clothing chosen, where by the detectives and police officers wear trench coats and suits, showing that they take pride in their appearance and to also give us a sense of their organization. It should also be mentioned that in many film noir movies (which were usually based on crime and melodrama) characters were commonly seen in trench coats and trilby hats; a trilby hat also worn by Somerset, letting us be aware that, to a degree, he has been a detective for a long period of time. A male also forced to rape a woman with a knife device (at gun point) is seen wearing what appears to be a large blanket wrapped around him. This shows his vulnerability as a victim.
Music used in the film also gave me, as a spectator, a sense of uneasiness and tension. Industrial metal music was used in the beginning and end credits by Nine Inch Nails and David Bowie, respectively. This kind of music, I found to be, quite hard hitting and dark in its element, not to mention using faint lyrics in the background based around religion and personal, emotional pain. Other music used included the score, which tended to have low sounding and long lasting beats, adding to a sense of build up when climaxes occurred.
Props are also a vital part of mise en scene within the movie ‘Se7en’, which allows the viewers to understand the genre of the movie. Guns are proven to be necessary pieces of equipment when the violent killer Doe strikes in the apartment shoot out scene. The gun enforces us that blood may be shed, and that an attack is bound to occur. Other important props can include that of the dart board found in Somerset’s home, which he appears to be throwing a knife at continuously. As a member of the audience, I believe this scene was vital to allow others to recognize that although Somerset thinks before he speaks, he still holds tension within, and unlike making rude remarks and brutish outbursts like his colleague Mills, he chooses to release his anxiety by other means. I also believe the box in the desert outskirts of the city is an extremely sinister prop, due to the fact that we cannot see what is inside it, however, we can view Somerset’s disturbed reaction; as an audience, we want to know what is inside the box, but do we?
I believe that character attitudes are very important to the movie. It is over emphasized that Somerset is reserved and intelligent, whilst Mills is proven to be too headstrong and cocky. Mills’ wife is also pictured as neglected, and is subsequently murdered towards the end of the film; stereotyping that females are usually sidelined, and are often victims. The murderer is also seen to be a law upon him, believing he is superior to everybody else, however, is also liable to give into temptation; just like his victims. This is also important, as we are made to believe John Doe is fearless.
Pathetic fallacy is, in addition, a key part of mise en scene in the movie, with rain and dark clouds being the dominant forecast. This gives off a downbeat feeling and is important to the story. I believe that because the film uses rain as a symbol of negativity, it can be classed as a thriller rather than an action movie, which is more likely to use sunlight and criminal acts occurring during the daytime, examples being ‘Die Hard: with a Vengeance’ and ‘Con Air’. Lighting is also made very low key, which along with the detective’s trench coats and trilby hats, adds to the film noir feeling. The lighting techniques also help to give off an off-putting impression of the setting; being gloomy and depressing.
Many of the settings in ‘Se7en’ lack bright colours (usually either being white, grey or black) which also helps add to the pessimistic view of the location. The streets are busy and full, many of the apartments seen look un-kept and dismal like. Even Mill’s house is an uncomfortable environment due to the fact that he lives above a tube train-line. I also believe that because many scenes take place in the police station and questioning area, the location itself is filled with morally inept people and criminal activity.
I agree that the script of the movie and delivery of the lines were also thoroughly directed to the cast in order to add emphasis on certain feelings being put across. Mills’ constant swearing shows his uneducated side, to a degree, whereas Somerset’s quiet voice and well thought out analysis of each murder shows progression as the movie proceeds. I also believe the contrast in personalities is needed to build tension, not only in the storyline, but between characters. John Doe’s character is strong and fearless, proved when he gives himself in to the police; showing his willingness to hand himself in, but furthermore to shock at each stage of the film.
When speaking about this history of crime films, it is extremely difficult to understand the genre’s evolution over time.
Different eras bought with them different forms of crime films; as early as the 20's, elegant and decadent movies were made involving scandal and beautiful women (also known as ‘femme fatales’), where detectives were needed to solve mysteries. This still continued up until the 50’s, with movies such as ‘Underworld’, ‘Satan met a Lady’ and ‘I Wake up Screaming’.
As time continued, films based on famous robberies became important, including the movie ‘The Italian Job’ and ‘The Split’, staring actors such as Michael Caine and Gene Hackman, which would have helped establish the films further.
The 70’s, 80’s and 90’s bought a huge wave of gangster movies, including ‘The Godfather’, ‘Scraface’, ‘Goodfellas’, ‘Pulp Fiction’ and ‘Reservoir Dogs’. This could have been connected to directors trying to push boundaries; films were becoming more violent and certificates were now being pushed to a higher level. Other crime genres were also prominent from the 70’s to the 90’s, including aspects such as spies (‘The French Connection’), kidnap (‘Raising Arizona’) and brutal murder (‘Se7en’).
Recently, crime movies have been created in order to depict current events. ‘Body of Lies’ showed that terrorism was a current issue which was often written about in the media. ‘Kidulthood’ showed gang violence in England, which has also become a recent problem over the past few years, and ‘American History X’ showed what the recent view on racism is like in some American cities.
It is also important to mention that many films of the crime genre came from famous books, 'The Godfather' and 'Sherlock Holmes' being good examples.
After studying the opening of three well known American gangster films, many similarities and differences occurred within the style in which they were portrayed.
When viewing the opening to ‘The Godfather’, many diverse aspects of the film were made in order to allow the audience to understand the genre more easily. The music chosen was of an Italian style and characters were seen wearing suits and speaking in Italian/American accents; a common aspect of many American gangster movies. It could be argued however, that the reason in which all characters were seen wearing suits is due to the fact that a wedding was in the process of taking place. However, later scenes confirm that characters are dressed smartly at all times where business matters are concerned.
The Godfather himself (Don Corleone, played by Marlon Brando), who is depicted as being an important person (proven after another character asks him for assistance and help) is shadowed during the beginning of the film, allowing his identity to be covered, making the audience suspect that he may be a ‘wanted’ man; concealing his identity. The fact that he is an older character may show that he is more experienced than other characters.
The calmness of The Godfather’s voice shows he is in control, as does the fact that his work associates are present, yet also fail to participate in the debate vocally (also showing loyalty and the fact that the Godfather should not be spoken over). A performance that allows the audience to see Don being personally asked to help somebody, also helps depict this.
I believe that the explicit detail of violence, which is explained to Don is used to fuel the actions of the Godfather and to show that he is a man best not crossed. I also believe it is important however that Don is shown playing with the family cat; this proves that his family are of great importance to him, and there well being comes first; he has a caring side to his personality.
I believe the movie ‘Pulp Fiction’ takes on a different approach completely.
The setting in which this scene takes place is that of a restaurant; much more informal than that of Don Corleone’s home in ‘The Godfather’. The characters are dressed very casual, and the way they jokingly speak to one another about past crimes they and others have committed, suggests they are amateurs.
However, in saying this, when speaking of the various crimes and robberies they had committed in the past, and now seeing that they are Scott free and willing to commit another crime, could suggest that they had gotten away with it in the past, and are not as amateur as we may think.
I believe that the gun is used as a prop to show that the couple are well prepared (to a degree), and support one another through everything. Certain lines in the script would also suggest this, after Yolanda (played by Amanda Plummer) and Ringo (portrayed by Tim Roth) refer to each other as “Pumpkin.” and “Honey bunny.”, respectively.
I believe the motive in which the character’s use is important, as it shows that they have reason to believe that they can successfully get away with robbing the restaurant.
I believe the setting and conversation the couple have during the start of the movie is very cool and casual. No music was used during this scene, in order to hide the climax of the actual robbery. I believe as a member of the audience, this approach was chosen in order to shock, to a degree, as we did not know what to expect.
I agree that the usage of explicit language spoken by Yolanda was necessary in order to, not only alarm the characters within the story, but to also alarm the audience. Her vocabulary changed drastically and so did the tone and volume of her voice. I also think it is important to mention that after Yolanda’s outburst, the credits role, showing a well established cast in the movie.
During the opening of the movie ‘Goodfellas’, credits also role (as they did in the beginning of ‘Pulp Fiction’), still allowing us to see that the cast used are extremely famous.
The credits then cut to a scene where three suited men (Ray Liotta, Robert De Niro and Joe Pesci) are driving down a road during the night, all looking calm and casual (minus the suits). Likewise to that of ‘The Godfather’, the suits could be connected to organization and the gangster genre.
As the scene continues, noises are heard, which sound as though they are coming from the car’s boot. This allowed me to come to the conclusion that these men had kidnapped somebody. However, due to the script, we are made to disbelieve this, as the characters say “What the fuck is that?” and “Is there a flat?”, referring to the tire.
As the characters pull over the car, it is now made obvious that the noises were coming from the boot (also known as the 'trunk' in many American movies). The characters open the boot, where a bloodied man lays, and is then continuously stabbed to death by Pesci (Tommy DeVito), and then further shot by De Niro (Jimmy Conway). I believe the extreme violence was used purely as a shock factor; it shows the audience that the characters mean business and should not be taken for fools.
As the scene ends, Liotta’s character (Henry Hill) further glamourizes and confirms the genre to be gangster, by saying the film's tag line, “As far back as I can remember, I’ve always wanted to be a gangster.”.
I agree that this tag line is important, as it shows that the gangster lifestyle comes with its perks, including money, status and control.
Similarities and differences are both present when comparing what makes a piece of work a fifteen certificate, and what makes other works an eighteen certificate. In the BBFC classification guidelines 2009, it is stated that neither a film, television series, game nor CD with a rating of either fifteen or eighteen can be sold to anybody below these ages.
Discrimination – Work with a fifteen certificate is not allowed to endorse discriminatory language at all, however, work certified eighteen is allowed to do so.
Drugs – Work with a fifteen certificate can show drug taking, but the film as a whole must not promote or glamourize drug misuse. The misuse of easily accessible and highly dangerous substances (such as aerosols or solvents) is unlikely to be acceptable. Eighteen certificates allow large sums of drug use to be shown, however, will not allow illegal drug use, which may cause harm to public health or morals.
Horror – With a fifteen certificate, strong threat and menace are only permitted if sadistic or sexual horror is not present. Dangerous behaviour (such as hanging, suicide or self harm) should not be dwelled on with too much detail in case of reenactment. Easily accessible weapons should not be glamourized. This changes with an eighteen certificate, where horror is permitted quite freely, although not if highly sexualized, eroticized or sadistic (such as explicit rape).
Language – According to the guide, there is no mention of any kind of language being unacceptable in work classified as an eighteen. The same does apply to a fifteen; however, excessive use is unlikely to be acceptable.
Nudity – A fifteen certificate allows full frontal nudity, as long as the showing is not overly explicit. There are no constraints on nudity in a none-sexual or education piece of work. Nudity is of course allowed in work rated with an eighteen certificate, as long as it does not show overly erotic images or extreme fetishism. Works with these themes will be classified as a R eighteen rating.
Sex – Sex can be portrayed without strong detail in work with a fifteen rating. Strong verbal references are also permitted. Work with a primary purpose to expose sexual arousal will most likely not be acceptable. A piece of work certified eighteen however, can produce work purely based on sexual arousal and sexual education in detail.
Violence – Violence is permitted in a certificate fifteen piece of work, but should not dwell on strong inflictions, and will not permit large amounts of sexualized or sadistic violence to a degree. Work with an eighteen certificate shares these views, however, will permit more violent material than a fifteen.
I believe that the crime film I will be creating with my group will appeal to a wide audience, as the short movie will fall under the film noir category; attracting older people and viewers of cult movies, whilst attracting younger people, because of our adolescent age bracket.
I also believe that because of our storyline, many fans of thriller movies would consider watching our clip. The scene will portray a murder, and will therefore allow the audience to be aware of what exactly is happening, but to also be aware of more vital information than that of our protagonist detective character.
I believe the style of the film will be alluring to fans of retro movies, as lighting will be kept dark, and the major focus will be placed on acting ability, appearance and props, rather than wasting what little time we have creating a large and wordy script.
I believe important factors such as murder, violence and disloyalty will be key factors within the storyline to our short film.
Different eras bought with them different forms of crime films; as early as the 20's, elegant and decadent movies were made involving scandal and beautiful women (also known as ‘femme fatales’), where detectives were needed to solve mysteries. This still continued up until the 50’s, with movies such as ‘Underworld’, ‘Satan met a Lady’ and ‘I Wake up Screaming’.
As time continued, films based on famous robberies became important, including the movie ‘The Italian Job’ and ‘The Split’, staring actors such as Michael Caine and Gene Hackman, which would have helped establish the films further.
The 70’s, 80’s and 90’s bought a huge wave of gangster movies, including ‘The Godfather’, ‘Scraface’, ‘Goodfellas’, ‘Pulp Fiction’ and ‘Reservoir Dogs’. This could have been connected to directors trying to push boundaries; films were becoming more violent and certificates were now being pushed to a higher level. Other crime genres were also prominent from the 70’s to the 90’s, including aspects such as spies (‘The French Connection’), kidnap (‘Raising Arizona’) and brutal murder (‘Se7en’).
Recently, crime movies have been created in order to depict current events. ‘Body of Lies’ showed that terrorism was a current issue which was often written about in the media. ‘Kidulthood’ showed gang violence in England, which has also become a recent problem over the past few years, and ‘American History X’ showed what the recent view on racism is like in some American cities.
It is also important to mention that many films of the crime genre came from famous books, 'The Godfather' and 'Sherlock Holmes' being good examples.
After studying the opening of three well known American gangster films, many similarities and differences occurred within the style in which they were portrayed.
When viewing the opening to ‘The Godfather’, many diverse aspects of the film were made in order to allow the audience to understand the genre more easily. The music chosen was of an Italian style and characters were seen wearing suits and speaking in Italian/American accents; a common aspect of many American gangster movies. It could be argued however, that the reason in which all characters were seen wearing suits is due to the fact that a wedding was in the process of taking place. However, later scenes confirm that characters are dressed smartly at all times where business matters are concerned.
The Godfather himself (Don Corleone, played by Marlon Brando), who is depicted as being an important person (proven after another character asks him for assistance and help) is shadowed during the beginning of the film, allowing his identity to be covered, making the audience suspect that he may be a ‘wanted’ man; concealing his identity. The fact that he is an older character may show that he is more experienced than other characters.
The calmness of The Godfather’s voice shows he is in control, as does the fact that his work associates are present, yet also fail to participate in the debate vocally (also showing loyalty and the fact that the Godfather should not be spoken over). A performance that allows the audience to see Don being personally asked to help somebody, also helps depict this.
I believe that the explicit detail of violence, which is explained to Don is used to fuel the actions of the Godfather and to show that he is a man best not crossed. I also believe it is important however that Don is shown playing with the family cat; this proves that his family are of great importance to him, and there well being comes first; he has a caring side to his personality.
I believe the movie ‘Pulp Fiction’ takes on a different approach completely.
The setting in which this scene takes place is that of a restaurant; much more informal than that of Don Corleone’s home in ‘The Godfather’. The characters are dressed very casual, and the way they jokingly speak to one another about past crimes they and others have committed, suggests they are amateurs.
However, in saying this, when speaking of the various crimes and robberies they had committed in the past, and now seeing that they are Scott free and willing to commit another crime, could suggest that they had gotten away with it in the past, and are not as amateur as we may think.
I believe that the gun is used as a prop to show that the couple are well prepared (to a degree), and support one another through everything. Certain lines in the script would also suggest this, after Yolanda (played by Amanda Plummer) and Ringo (portrayed by Tim Roth) refer to each other as “Pumpkin.” and “Honey bunny.”, respectively.
I believe the motive in which the character’s use is important, as it shows that they have reason to believe that they can successfully get away with robbing the restaurant.
I believe the setting and conversation the couple have during the start of the movie is very cool and casual. No music was used during this scene, in order to hide the climax of the actual robbery. I believe as a member of the audience, this approach was chosen in order to shock, to a degree, as we did not know what to expect.
I agree that the usage of explicit language spoken by Yolanda was necessary in order to, not only alarm the characters within the story, but to also alarm the audience. Her vocabulary changed drastically and so did the tone and volume of her voice. I also think it is important to mention that after Yolanda’s outburst, the credits role, showing a well established cast in the movie.
During the opening of the movie ‘Goodfellas’, credits also role (as they did in the beginning of ‘Pulp Fiction’), still allowing us to see that the cast used are extremely famous.
The credits then cut to a scene where three suited men (Ray Liotta, Robert De Niro and Joe Pesci) are driving down a road during the night, all looking calm and casual (minus the suits). Likewise to that of ‘The Godfather’, the suits could be connected to organization and the gangster genre.
As the scene continues, noises are heard, which sound as though they are coming from the car’s boot. This allowed me to come to the conclusion that these men had kidnapped somebody. However, due to the script, we are made to disbelieve this, as the characters say “What the fuck is that?” and “Is there a flat?”, referring to the tire.
As the characters pull over the car, it is now made obvious that the noises were coming from the boot (also known as the 'trunk' in many American movies). The characters open the boot, where a bloodied man lays, and is then continuously stabbed to death by Pesci (Tommy DeVito), and then further shot by De Niro (Jimmy Conway). I believe the extreme violence was used purely as a shock factor; it shows the audience that the characters mean business and should not be taken for fools.
As the scene ends, Liotta’s character (Henry Hill) further glamourizes and confirms the genre to be gangster, by saying the film's tag line, “As far back as I can remember, I’ve always wanted to be a gangster.”.
I agree that this tag line is important, as it shows that the gangster lifestyle comes with its perks, including money, status and control.
Similarities and differences are both present when comparing what makes a piece of work a fifteen certificate, and what makes other works an eighteen certificate. In the BBFC classification guidelines 2009, it is stated that neither a film, television series, game nor CD with a rating of either fifteen or eighteen can be sold to anybody below these ages.
Discrimination – Work with a fifteen certificate is not allowed to endorse discriminatory language at all, however, work certified eighteen is allowed to do so.
Drugs – Work with a fifteen certificate can show drug taking, but the film as a whole must not promote or glamourize drug misuse. The misuse of easily accessible and highly dangerous substances (such as aerosols or solvents) is unlikely to be acceptable. Eighteen certificates allow large sums of drug use to be shown, however, will not allow illegal drug use, which may cause harm to public health or morals.
Horror – With a fifteen certificate, strong threat and menace are only permitted if sadistic or sexual horror is not present. Dangerous behaviour (such as hanging, suicide or self harm) should not be dwelled on with too much detail in case of reenactment. Easily accessible weapons should not be glamourized. This changes with an eighteen certificate, where horror is permitted quite freely, although not if highly sexualized, eroticized or sadistic (such as explicit rape).
Language – According to the guide, there is no mention of any kind of language being unacceptable in work classified as an eighteen. The same does apply to a fifteen; however, excessive use is unlikely to be acceptable.
Nudity – A fifteen certificate allows full frontal nudity, as long as the showing is not overly explicit. There are no constraints on nudity in a none-sexual or education piece of work. Nudity is of course allowed in work rated with an eighteen certificate, as long as it does not show overly erotic images or extreme fetishism. Works with these themes will be classified as a R eighteen rating.
Sex – Sex can be portrayed without strong detail in work with a fifteen rating. Strong verbal references are also permitted. Work with a primary purpose to expose sexual arousal will most likely not be acceptable. A piece of work certified eighteen however, can produce work purely based on sexual arousal and sexual education in detail.
Violence – Violence is permitted in a certificate fifteen piece of work, but should not dwell on strong inflictions, and will not permit large amounts of sexualized or sadistic violence to a degree. Work with an eighteen certificate shares these views, however, will permit more violent material than a fifteen.
I believe that the crime film I will be creating with my group will appeal to a wide audience, as the short movie will fall under the film noir category; attracting older people and viewers of cult movies, whilst attracting younger people, because of our adolescent age bracket.
I also believe that because of our storyline, many fans of thriller movies would consider watching our clip. The scene will portray a murder, and will therefore allow the audience to be aware of what exactly is happening, but to also be aware of more vital information than that of our protagonist detective character.
I believe the style of the film will be alluring to fans of retro movies, as lighting will be kept dark, and the major focus will be placed on acting ability, appearance and props, rather than wasting what little time we have creating a large and wordy script.
I believe important factors such as murder, violence and disloyalty will be key factors within the storyline to our short film.
My crime film blog.
While creating my AS media studies practical production, certain equipment will be needed in order for our film to be successful and realistic.
The equipment needed will include a Canon MD101 video recorder, a tripod and a MAC, with Final Cut Express and available Internet access, plus music editing software.
The Cannon MD 101 video recorder will be needed in order to film our piece, the tripod will help in order to film from different angles and to steady shots. The MAC with Final Cut Express, Internet access and music editing software will help in order to edit our movie, to also publish our ideas onto a blog, and to allow music to be made for our movie also .
For our crime film, we have decided to focus on the genre, known as film noir. Our film will consist of three main characters: a detective, a mistress (who is ultimately the victim), and a femme fatale.
The background of our story is that of a man (who we never actually see on film), has committed adultery. When his wife finds out, she is distraught, and out of sheer madness and fury, kills his mistress. We chose not to show the husband in the film also, to add to the mystery.
Our crime film will be based in the mid 1940’s and will be shot in black and white, we hope that these elements will provide an authenticity to the genre and will achieve the look we want.
The film will be shot in the dining room of a member of our group's home; we have decided to shoot in this location, as the décor is appropriate for the time period we are looking for.
The two minutes of the film that we are shooting will be the opening. In the opening to our film there will be no dialogue, apart from a voice over spoken by the detective character, as the film is centered around him trying to solve the case, and is shot from his point of view.
The film will open on a close up shot of the detective typing on his typewriter. This is where the voice over will begin as if it is his inner thoughts whilst he types. From there we will have cut scenes to the past events leading up to the detective solving the case, the murder of the mistress and some background information. However in these cut scenes, nothing of the murderer (the femme fatale) is actually shown apart from her hand in a leather glove pointing a gun, and her piercing eyes.
Different conventions of our film will apply to the film noir genre. This will include costume, props, location, music, lighting and make-up. These factors are extremely important in order to ensure our movie is realistic and well thought out, and to allow the audience to understand our genre further.
Cast list for my film:
Jack Carter – Detective Jack Carter (and director/narrator)
Lauren Cox - femme fatale, Lauren Cox (and director)
Chloe Roden – victim, Chloe Roden (and director)
Different scenes will be filmed in distinct locations. Scenes, which consist of Detective Jack Carter using his typewriter in order to report on the murders, which femme fatale Lauren Cox has committed, will take place in Chloe Roden’s home. The major murder scene will also take place in her home.
No extras will be permitted in this movie, however, we need to consider the way in which the setting is prepared, due to the fact that our movie is set in the mid 1940’s, and needs to look old fashioned and authentic. Because of this, we have chosen to film in Chloe Roden’s dining room, which holds many pieces of old fashioned furniture and will look accurate to the film noir genre.
Other aspects we need to focus on as a group will include the costume, make-up and props needed for the movie.
The clothing worn by all characters will be stereotypical to that of the mid 1940’s.
Detective Jack Carter – Clothing expected to be worn by this character will include black leather shoes, black straight leg trousers, a white shirt, a black tie, a black trench coat and a black trilby hat. A detective badge, gun and cigarette may also be necessary, in order to look authentic and also to convey the film noir style which we are trying to achieve.
Femme fatale, Lauren Cox – In the scenes which Lauren Cox is present, we have decided that only her hand, her gun and her eyes are to be shown, in order to hide her identity and add to the suspense. Because of this, Lauren’s eye make-up will be dark and intense, in order to stand out. Lauren will also wear a black leather glove in this scene, as in the mid 1940’s, it was very common for women to wear gloves regularly, and it also adds to the fact that she does not want to get caught; gloves will help prevent finger prints being made on the murder weapon.
Victim, Chloe Roden – Chloe Roden’s clothing will convey that of a typical outfit worn by women in the mid 1940’s. This can include a pencil skirt, black tights, a shirt and fitted jacket and high heels. Red lipstick will be worn, but her eyes will be kept plain, in order to contrast with that of femme fatale Lauren Cox’s eyes.
Other props, which will be necessary, will obviously include an artificial handgun, and Detective Jack Carter’s typewriter. These props have already been collected.
Our media studies movie is set in the mid 1940’s, and is based around an affair that has happened between a married man and his mistress (played by Chloe Roden). This subsequently results in his wife finding out, (played by Lauren Cox), and then her murdering the mistress.
As the audience do not know who the murderer is until the end, a detective throughout the film, (played by Jack Carter), investigates into the case to try and solve who the killer is, and why they have committed the crime.
The film is a thriller as it holds intense and suspenseful moments where the detective analyzes the case, whilst the audience views flash back scenes of the murder scene, still not knowing who is to blame for it.
By not revealing who the killer is until the end of the film, this keeps the audience interested in the storyline, wanting to know what is happening and also intrigues them into finding out the mystery.
The film is set in the present time, however, the story also delves into flashbacks; switching back and forth. This helps the audience to understand the case better, and to also realize that the detective is progressing in the case, as the flashbacks are interlocked with information the detective is steadily finding out.
I believe that the crime film I will be creating with my group will appeal to a wide audience, as the short movie will fall under the film noir category; attracting older people and viewers of cult movies, whilst attracting younger people, because of our adolescent age bracket.
I also believe that because of our storyline, many fans of thriller movies would consider watching our clip. The scene will portray a murder, and will therefore allow the audience to be aware of what exactly is happening, but to also be aware of more vital information than that of our protagonist detective character.
I would say that the style of the film will be alluring to fans of retro movies, as lighting will be kept dark, and the major focus will be placed on acting ability, appearance and props, rather than wasting what little time we have creating a large and wordy script.
I agree that important factors such as murder, violence, suspense and disloyalty will be key factors within the storyline to our short film.
Our movie is going to be filmed in Chloe Roden’s home. We chose this location because of the fact that her home has certain rooms, which hold antique furniture and old-fashioned decor. This is important to our movie, in order for the film noir genre to be recognized. We have also insured that cameras will be available for the particular days in which we plan to be filming.
I believe that our movie would be rated a fifteen, if it were to be officially released. This is due to the fact that a bloody murder is shown on screen. However, the film does not deserve an eighteen rating, because many factors, such as profanity, sexual scenes, drug use and discrimination are not present.
My crime film evaluation.
My crime film, 'The Deadly Affair' - it is imporant to mention that there are certain continuity problems and factual errors within this movie. Problems with the editing and sound are present, as well as Sam Halford being credited as the narrator, when it was in fact Jack Carter.
